Foundation directors and Museum staff welcome your inquiries. For additional information on legacy gifts to the Foundation please see. Please consider a legacy gift to benefit the Museum. In recognition, the Museum will be honored to welcome you to join the William R. Museum trustees along with Foundation directors are working together to grow the Museum's permanent assets. Among other recent initiatives, the Foundation successfully mounted a campaign among current and former trustees and directors to match a $75,000 gift from an anonymous supporter. While the Museum receives some financial support from the City of Ogdensburg, income from admissions and special events, and the charitable gifts of many annual donors, a growing Foundation is critical to its long-term financial stability. These investments generate about $50,000 per year to support museum operations and they provide a crucial asset to address Museum needs. McCabe Exhibitions Fund, other endowment funds, and unrestricted long-term investment funds. Remarkable generosity by Museum supporters has resulted in a doubling of asset value in recent years to about $1.4 million. This includes the William J. The corpus is conservatively managed and annual returns consistently meet or exceed benchmarks.
Frederic remington art museum professional#
The Foundation is overseen by a board of directors that engages professional investment managers and establishes spending policies oriented toward long-term growth - and, thus, increased annual support for the Museum. It does this by accepting and collecting pledges, donations, grants, and contributions to benefit the Museum, by managing those funds carefully and by working with the Museum to effectively allocate income from investments to Museum operations.
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The Foundation’s purpose is to foster, support, and advance the Frederic Remington Art Museum. The foundation is an independent special purpose foundation that oversees the museum’s endowment funds and long-term investment funds. We thank the many institutional and private lenders to the exhibition, as well as the owners of the works used as comparative illustrations, who graciously have permitted their inclusion in our online feature.Incorporated in the late 1980s, the Frederic Remington Art Museum Foundation exists for the Museum’s long term benefit.
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Phyllis Hecht, Abbie Sprague, Mariah Shay, Amanda Mister Sparrow, Lesley Keiner, Rachel Kunkle, and Naomi Remes also contributed to this project. Anderson it was designed and produced by Donna Mann, and edited by Julie Warnement. This Web feature was based on the catalogue essay and other exhibition materials written by Nancy K. Frederic Remington: The Color of Night gathers together for the first time the finest of these mysterious, often deeply personal paintings. Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the. Although immediately recognized as extraordinary works, Remington's late nocturnes have never before been the subject of an exhibition. The paintings are also elegiac, for they reflect Remington's lament that the West he had known as a young man had, by the turn of the century, largely disappeared. These complex paintings testify to the artist's interest in modern technological innovations, including flash photography and the advent of electricity, which was rapidly transforming the character of night.
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Surprisingly, Remington's nocturnes are filled with color and light-moonlight, firelight, and candlelight. Before his premature death in 1909 at age forty-eight, Remington completed more than seventy paintings in which he explored the technical and aesthetic difficulties of painting darkness.
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About 1900 he began a series of paintings that took as their subject the color of night. As he matured, however, Remington turned his attention away from illustration, concentrating instead on painting and sculpture. Initially, his western images appeared as illustrations in popular journals. Frederic Remington (1861–1909) has long been celebrated as one of the most gifted interpreters of the American West.